All the lyrics are composed by the 3 members in team, exactly as it happens to the music composition and arrangements.
All of them are embued with negative feelings and situations, which are in detail as follows:

* somebody hating someone else, looking for a grave revenge after being deceived
This is my fave one as I've been involved in these situations and have often fulfilled my revenge in a way or another
* blood on the hands of the Christian Church that has been killing atheists, infidels, heretics, uncomfortable people both with the Inquisition and the Holy War
* the description of the descent to hell of a person who's aware they won't be allowed to go back. This person committed unintentional suicide and then they realize it worked.
* somebody who's been tortured for years and now can execute their revenge by making the enemy die a slow death
* the chaos ruling our souls

The first instrumental composition of the platter, "Hangmanwalk", appears to be a brief Speed/Thrash Metal number kicking off with drumwork similar to punches in the face with the listener used as a punchball. There's also a short fragment of Power Metal in Helloween style, and a finale showing off a concise Malmsteenian lick.

With "Snakebottled", the last song composed by the Teutonic quartet, Wolf J's corrosive vocals become immediately clear to those who have never listened to anything from this German act. They open the song leading to a mid-tempo riff which gradually evolves into a fast Thrash Metal bit of riffing. The vocals return and some Power Metal riffs blend with them until it comes the time to make way for a riff strongly reminding me of the Metallica of the "And Justice for All" era. This happens just for a handful of seconds, and later on the aggressive structure met before comes back.
Afterwards, several less heavy breaks interposed before quick parts, with the guitar mixed loud so as to rule the rest of the instruments.
It is then time for a more controlled portion acting as a bridge to a good 3 axe solos: fast and occasionally ear-piercing, they prelude the comeback of the refrain, and subsequently, another set of riffs and 2 additional guitar solos. These embellish the song until a tight riff at the end.
This composition explains what is positive about the German combo, that is that the tracks are very various and rich in ups and downs, as well as abrupt brakes and accelerations.

"I Am Your Religion" starts with a Neoclassical Speed Metal riff, then it veers toward Power Metal, and a few seconds later to a sort of rapid Thrash Metal in the vein of Destruction, Sodom and the likes.
When a verse with blackened Thrash Metal throating and guitar squealing comes, the guitar player delivers another riff and finally the refrain arrives with a crushing palm-muted riff. A Power Metal chip with a late blastbeat is followed by a new musical slice where Power and Thrash Metal duet with success.
The refrain reappears before a seducing instrumental part involving a great deal of dynamism, in which the Speed Metal riffs anticipate 2 guitar solos quite different one from another. Once again the refrain peeps in, ensued by a Power Metal part emphasizing the kick drums work more and more, which is in its turn emprecioused by Helloweenian licks when the track comes to a close.
This song is also accompanied by an official video ("https://www.youtube.com/watch?v=JdbSKowcGiw").

A few pungently-effected notes obtained from one of the strings of a guitar headstock open "Onewaytrip to Hell", showing the protagonist's undisputable and inevitable descent to hell. After this sort of intro, a whirling mid-tempo riff conducts to another mid-tempo one, on which Wolf J's Black Metal sandpaper-like vocals stand out. The spotlight is then occupied by a Black/Thrash Metal part moving on a mid-tempo, replaced by the previously heard mid-tempo riff, where the vocals grow sharper and more scorching, similar to high moans.
Successively a Thrash Metal breakdown leads to the most Speed Metal partition of the record with 2 superfast guitar solos, the finest of this platter. The Speed Metal episode stops, immediately followed by a mid-tempo that - after a really brief pause with an explosive drum roll - clear some space for a refrain with the extremely acid vocals listened previously.
The mid-tempo goes on until the final seconds of the composition, with the drums pounding harder and harder till the end. After a short stretch of silence, the hellish guitar notes of the inception are repeated again.

Straightaway fast-paced and 100% Thrash Metal, "Prone to Violence" moves almost in the fashion of the early Overkill, even if here the vocals are much more wicked and guttural. Gorgeous guitar licks come before a sheer Thrash Metal riff, then a martial refrain is ensued by a lick, and later we get to a handful of different verses with mid-tempoed powerful riffing. Afterwards, a speed-up sustained by granitical drums preludes to an instrumental crescendo, and then to a long and articulate axe solo, wher the skinbeater first slows down and then hits hard and fast, one more time recurring to a typical Thrash Metal pattern.
Another break and Teeth Of Lamb U-turn rapidly to the venomously vomited refrain, whereas another lick soon accompanies the final verse. The last instants see a voiceless acceleration and the last stopped guitar riffs to close the piece, decidedly the best of the 7 appearing on this full-length.

The title track flings itself brakeless like a bullet, in less than no time it evolves rawly, to then arrive at an annihilating palm-muted riff preceeding the refrain; like a shot we hear a fairly skillful guitar solo which doesn't last too long actually, which prepares the listener for the replaying of the initial riff. This pattern gets interrupted, as we meet the nth rapid Thrash Metal riff and then another 2 guitar solos, the former eviler and the latter more joyful, sort of reminding the 80's Helloween. The refrain comes back and it is placed here to demolish everything before the last verse offers a wide array of riffs, some of which in staccato. The velocity increases in a Black Metal fashion utilizing an ultimate lick halts the assault.
There exists a rehearsal clip matching this song ("https://www.youtube.com/watch?v=uYz92AsB6f8")

"Dad Blasted" is an instrumental track of only 43 seconds in the classic sign of Thrash Metal exposes a noteworthy Power Metal guitar solo, substituted by 2 guitar strokes and humming noise from an amp head in conclusion.

If you are a Thrash Metal maniac who doesn't have enough of the albums of the most popular bands you need this album in your collection. If you love underground unpolished Thrash Metal blending Sodom, Destruction, Exodus, Holy Moses, Annihilator, the fastest Raven, Children of Bodom and the likes, you definitely have to listen to this album and obtain a copy before it sells out.
If you want to support the German scene, choosing Teeth Of Lamb means money spent wisely and it doesn't matter if they are not as important as the Big Four of German Thrash Metal from an historic point of view.
Also, the value of "Soul Gutter" will grow in time, especially as for the vinyl version.