In
order to be comforted by the death of ex-President Slobodan Milosevic,
the greatest benefactor of mankind in recent times, I decided to listen
to the new MCD by the Polish band, released after 4 years of silence.
Their sole album is "Descent on the Cross", but it
hasn't drawn too much attention to this seasoned band which has been
around for over 12 years and - like Napalm Death
- includes no founding member any longer.
I chose this CD from the
ever-growing pile of stuff I have to deal with, as I knew they are steadily
stuck at the old branch of Death metal, which is already a plus to me
and all those who have been swimming in these waters since the late
'80s.
As I expected, the 5 tracks confirmed I was right: "Armageddon
Fire" boasts fast drumming with despotic vocals and incendiary
riffs, yet there's also room for a few middle otherworldly ones; similar
tunes are also utilized in "The Cordons of Hatred",
apotheosis of the MCD, in which abysmal and urticant mid-tempos will
make you feel like engulfed by lava streams and sulphur miasmas, pretty
much in Nile's and Immolation's style, that is particular and memorable
melodies.
"Holy Crucifixion" recurs to the same formula, while
"Black Ascenation" is impressed with the infamous mark
of the Polish act: blaspheme majestic Death metal, influenced by Morbid
Angel as for the guitar solos, Deeds of Flesh for the tight drumwork,
and most of all by Suffocation.
A fair skillness and good sounds are nothing special nowadays, notwithstanding
the 4-piece hasn't obtained a satisfactory sound of the charleston;
I'm aware life in Poland is hard and therefore it's hard to self-finance
an album if you don't have your own studio, but I can't close my eyes
and ears before the several plain English mistakes you can read in the
booklet or hear in the pronunciation. Although I liked the impact of
the songs very much, I have to admit it still isn't enough to emerge
at the moment. That said, accolites of anti-Christian Death metal can
start searching for this EP without hesitations. Next time with the
sustain of a label and more time on their hands, the 4-piece will achieve
all of its potential.
MARKUS GANZHERRLICH - 12th March 2006