Bringers of
new lymph to the stale world of Thrash metal, the 5-piece from Russia
has been very active in 2003, which also saw the production and release
of their second CD "Dive to Nowhere". This one might
technically be a MCD if we look at the number of songs (6), yet I've
always reputed CDs lasting over 25 minutes like real CDs. Here we go
over 31 minutes so there's no doubt Stalwart are living a quite prolific
period.
Just allow me one premise before analysing the songs one by one: I found
most of their compositions hard to define and most of all arranged in
a personal way, which is a good signal concerning the state of the members'
inspiration.
As for the songlist, don't look at the one in the back cover as it's
completely messed up (one of the few faults of the CD). The first track
is "Dictator", an example of technical modern Power-Thrash,
rife with distorted parts and other undistorted, in which the vocals
are whispered or suffered; an acceleration and an arpeggio followed
by a guitar solo following Spanish fashion are placed so as to prepare
us for the final blow. This song is really heavy and original, way of
ending included.
"Still Alive" starts with the keyboards and the bass,
then monophonic alternated guitar stopped riffs anticipate the drum
attack, the latter resulting furious and rapid. The refrain is unexpectedly
symphonic and elegant, the instrumental break pompous. Skillful guitar
solos now kick ass to soon make way for interesting riffs, among which
one a là Konkhra; the refrain is repeated and the final riff
pays a homage to the NWOBHM. If you guys are reading, know that you
do own an excellent and brisk songwriting!
The long "Mantrap" begins with an Arabianesque arpeggio
accompanied by Jakk's vocals, always different and enriching this song
- like all the remaining ones - in several manners (whispered, threatening
or angry, often overdubbed), while the bass bursts, the drums shatter
and go on odd times on the hi-hats; unforgettable is the smashing hook
in view of the refrain; the initial arpeggio appears again with the
manifold vocals, some even like a muezzin's! Certainly the best of all
songs.
A neoclassic riff opens the original "Brainless Beholders",
but the vocal are close to the early James Hetfield, even if rawer and
less adrenalinic; after a good entwining between a soft riff and the
bass, the keyboards lead us to a couple of nice axe solos (as keyboardist
Leonid also plays the guitar); you don't even realize the song has come
to an end that "Dark Domain" has already begun, a strange
blend of as brutal as possible Bay area Thrash with a wonderful bridge
with one distorted guitar and the other undistorted (Anacrusis's spectre
looms out); the refrain reminds of the Texan band again yet the vocals
are closer to the best Prong and the crudest Skinlab; Jakk exceeds himself
here by using his whole vocal range and styles. This song is a masterpiece
and shows this band is far above the average thanks to a peculiar clever
singer and 2 guitarists gifted with enough fantasy.
The closing composition, "Gorge of War", starts with
an arpeggio as well and then adds 2 twisted riffs that will make Forbidden's
freaks jump one metre from the ground. All of a sudden enters a break
with angelic keys broken by crushing guitars and a disruptive tom tom
percussion work in the vein of Slayer. An alternated monophonic structure
with nu-metal vocals (Biohazard, Downset...) precedes a pair of brilliant
6-string solos; the final assault is given by Megadeathian riffs and
Violenceian angry throat modulations.
Their songwriting, which ranges from Thrash/Power to Prog/symphonic
and Death metal, is already plainly mature, nevertheless should these
5 musicians from Roman Abramovich's motherland ameliorate it just a
pinch more and obtain a more polished up recording (let's get things
straight, this one is not bad at all, but there're too many boomy low
sounds and the charleston is not defined enough), Celtic Frost and Voivod
would have found deign heirs who to pass the baton to.
MARKUS GANZHERRLICH - 12/7/04