Back home from 
          a journey to Moscow, Russia, I was given my first CD from a Kazakh band 
          which is one of the oldest of that country together with Black Fox and 
          Phoenix and already boasts a huge discography with other 7 releases.
          
          The main references of these warriors are Black Sabbath, Blind Guardian, 
          Deep Purple, Gamma Ray, Iron Maiden, Manowar and Rage and most of their 
          songs last long as they're multiform and contain several lengthy guitar 
          solos.
          Since I have no cyrillic fonts, I'll just refer to the track numbers; 
          the number 1 kick-starts with an intro and suddenly blazes through a 
          granitic riff; a groovy and lively song with an irresistible chorus; 
          a nice surprise comes from the guitarists, releasing excellent solos 
          under the sign of the purest classic-power-heavy metal tradition. I 
          also have to notice for you the efficient epic break and the final vocals, 
          really high.
          The second song rides fast at once and includes raw vocals opposed to 
          the proud refrain stolen (eh, eh, gotcha!) from "Aces High" 
          of the Iron Maiden; it's nice to have such influences and honest to 
          claim them but it's not digestible to copy them so much; however, the 
          composition is 'saved' by another pair of fine solos preceding a ride 
          and the refrain repeated to the end.
          The 3rd song is aggressive and contains a few abrupt drum accelerations, 
          while the guitar sounds do cut like razorblades here and afterwards 
          the twin guitars make a very good job, while the bass fights for the 
          cause better than ever.
          The fourth song can be translated as "Not Tomorrow" 
          and I must precise it because it should be the first song you should 
          listen to from Holy Dragons. How ever did it become my favourite? Maybe 
          cos it's a maidenian track, even though the vocals are different from 
          Bruce Dickinson's; they might be closer to Rage for example, yet what 
          counts is that both the riffs and the vocal hooks are wonderful, without 
          forgetting the middle central part.
          Almost 7 minutes of impetuous metal compound the track n. 5, displaying 
          the main singer and the 2 back-up vocalists' capacities; this song is 
          not so easy to be sung and borrows too much from "Hallowed Be 
          Thy Name"; some drum work is even jazzy, therefore more personality 
          would've made it a masterpiece.
          Anyhow, the song number 6 commences with a heart-rending arpeggio, and 
          soon becomes speed power and in a couple of passages even a là 
          Nuclear Assault! There's also a time change homaging Iron Maiden where 
          the 2 guitars play the same riff and another of Kazakh folk before a 
          spray of female vocals. Absolutely the most original song of the 9.
          The track n. 7 is just an arpeggio introducing to the # 8, a cheerful 
          one in the vein of Helloween notwithstanding the vocal tune is lower; 
          there're several instrumental structures within this composition, enriched 
          by heaps of scorching, technical and fantastic axe solos. The most brilliant 
          profile of Holy Dragons has finally been shown.
          "Living on the Edge" is the only track sung and lyricized 
          in English and this bonus has been chosen since it's another fine example 
          of the Kazakhs' qualities; ex-singer Daniel Throne takes the vocal duties 
          in this song recorded and mixed 4 years before in October 2003; Dani's 
          quite busy in giving the best in this melancholic ballad and shows he's 
          nothing to envy the newcomer, Holger Kovaroff. The latter was probably 
          chosen because he has a less nasal timbre and more power in his lungs. 
          In this closer the 5-piece embeds another classy heartfelt solo.
          
          As for the recording of the first 8 tracks, I must say all instruments 
          sound well, bass included and that's a smart choice, as Chris Larson 
          owns a skill above the average. Sometimes the charleston sounds a bit 
          artificial, while the last track hides the bass a little but includes 
          clearer sounds. Besides this, I will recommend this record to those 
          who wish to have an ample discography of the sector, including not only 
          the milestones; if you're a starter, then you'd better listen to the 
          genre leaders and founders before.
          
          MARKUS GANZHERRLICH - 12/7/04
          
          
          Contacts:
          E-mail: holydragons@front.ru
          www.truemetal.org/holydragons